Biography of Henrik Ibsen

• Name: Heinrich Johan Ibssen
• Born: March 20, 1828, Skåne, Telemark, Norway.
• Father: Nood Ibnsen.
• Mate: Marichien Alenburg
• Wife / Husband: Suzanne Thomson

Early life:

        Heinrich Johann Ibsen was the Norwegian playwriter, theater director and poet. As one of the founders of modernity in the theater, Ibsen is often called "Father of Realism" and is one of the most influential dramatists of his time. His main works include Brand, Peer Giant, An Enemy of the People, Emperor and Galilean, A Doll House, Heather Gabbler, Ghosts, The Wild Duck, When We Dead, Awakeen, Pillars of Society, The Lady from the Sea, Rosemarshom, Are. Master Builder, and John Gabriel Borkman He is the most dramatist in the world after Shakespeare, and in the early 20th century, A Doll House became the world's most performed play.

        Many of his later plays were considered malignant for many of his eras when the European theater was expected to have a strict moral model of family life and ownership. The later work of Ibson examined the realities which were far behind Fekdos, revealing too much for the number of contemporaries. He had a critical eye and examined the issues of life and ethics issues free of charge. In his early poetic and cinematic drama Pir Giant, however, there are also strong real elements.

        Ibsen was born in Skane, a small wooden city in southern Norway. His father was a respected general merchant in the community until 1836 when he suffered a permanent insult of bankruptcies. As a result, he drowned in a strange austerity, which his wife withdrew and did nothing. There was no redress to the misfortune of the family; As soon as he could, at the age of 15, Heinrich moved to Grimmestad, a group of about 800 miles (110 km) roughly 800 people from the coast. There he supported himself as an apprentice trainee studying the nights for admission to the university. And during this period, he used some of his leisure moments to write dramas.

        Catilina (1850; catlin), moving from Latin texts, Ibssen had to study for her university examinations. Although this was not a very good game, it showed a natural inclination for the theater and raised topics - the rebel hero, his subversive mistress - who, as long as he lived, would have stopped Ibzan. In 1850 he went to Christiania (known from the old name of Oslo since 1925), studied for entrance examinations there, and the students settled in the quarter - though not in the classes. Theater was in his blood, and at the age of only 23, he appointed himself a director and playwright for a new theater in Bergen, in whose capacity he had to write a new drama every year.

        Inspired by the demands of critics that literature should address the current problems of the day, Ibsen determined to develop a dramatic form in which serious cases can be dealt with using everyday life stories. Ibsen did not invent realistic (based on real life) or social reform drama, but he completed the form. In doing so, he became the most famous dramatist of the nineteenth century. Even so, Ibsen remained the same as he was always, a person who disliked the society and concerned himself with the person and his problems.

        In 1858, Ibsan returned to Christian to work as a Creative Director in a local Norwegian theater. Later in the year, he married Sujan Thoras. This couple received blessings from a child, Sigard Ibsen, who also became a writer and also a successful politician. At that time Ibsen's family faced a very difficult economic crisis. Frustrated with life in Norway, Ibsen went to Italy in 1864 and returned home to his hometown Norway for 27 years. Then in this self-exiled exile, he wrote a drama, Brands, who gave him success and financial success as a playwright. After the critically acclaimed brands (1865), there was no search for Ibsen. Some of his finest works include Pir Giant (1867) who made him famous in Italy.

        Ibsen moved to Dresden in 1868 and then to Munich in 1875. In Munich in 1879, Ibson wrote his groundbreaking play, A Doll House. He followed his interest in realistic drama for the next decade, earned international acclaim; Many of his works were published throughout the translation and were held throughout Europe. Ebson eventually turned to a new style of writing, leaving his interest in realism for a series of so-called symbolic plays. In 1890, he completed his last assignment, Häder Goubler abroad.